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Robbers Swipe Royal Necklace With 673 Diamonds

They paid for tickets like everyone else, then left with a legend.

Anna Lee, journalistBy Anna Lee
Robbers Swipe Royal Necklace With 673 Diamonds
Photo by Annanna5 | Dreamstime.com

Two men bought admission tickets to Vienna's Museum of Applied Arts on Thursday, walked through several exhibition halls, then smashed a glass display case with a hammer and grabbed a Van Cleef & Arpels necklace set with 673 diamonds. One of them produced a weapon police believe was real. Both left on foot.

The theft happened shortly after 2 p.m. on August 27, in front of other visitors. No one was hurt. The men wore no masks, and police said they were clearly caught on the museum's surveillance cameras.

The necklace is made of platinum and holds more than 200 carats of stones. Austrian media put its value at several million dollars; police declined to give a figure. They released images of two figures dressed in black standing inside the exhibition space.

No Masks, No Getaway Story

Police described the thieves as two slim men between 170 and 175 centimeters tall, with dark hair and beards, wearing black clothes and dark trainers with white soles. According to a police statement, they "smashed a glass display case" with a hammer before "fleeing with the jewelry in an unknown direction."

The whole thing played out during regular opening hours, with paying customers standing nearby. The men did not force their way in. They bought tickets like everyone else, then walked to the case and broke it open with witnesses right there.

The case they smashed held more than the necklace. It also held earrings and a brooch from the same collection. The thieves grabbed the necklace and ran.

Made for an Egyptian Queen

The stolen piece was designed in 1939 for the former Egyptian royal family. Queen Nazli wore it that year at the wedding of her daughter, Princess Fawzia, to Mohammad Reza Pahlavi, who would later become the last Shah of Iran.

Nazli was the consort of King Fuad I of Egypt from 1919 until his death in 1936. The couple had five children together, including King Farouk I. The wedding it was worn to linked two Middle Eastern monarchies.

A matching tiara was made alongside it, built from the same semicircular ornaments wrapped in ribbons of platinum and diamonds.

A Sunburst of 673 Diamonds

The necklace is platinum, set with 673 round and baguette-cut diamonds arranged in a sunburst pattern. The whole thing weighs just 40 grams and totals more than 200 carats. Van Cleef & Arpels, founded at Place Vendome in Paris in 1906, calls it "an iconic example of the success of white diamond jewelry in the late 1930s" on its website.

Estimates of what it is worth vary. Sotheby's pre-sale estimate in 2015 ran as high as $4.6 million. Others land closer to $4 million. Whatever the exact figure, it was one of the most valuable objects in the Vienna show.

The French company did not immediately comment on the theft.

From a Broke Queen to a Vienna Case

After the Egyptian monarchy was abolished, an impoverished Nazli sold the necklace at a Sotheby's auction in 1975, at age 81. It then dropped out of public view for four decades.

The piece resurfaced at Sotheby's in New York in 2015, where it sold for $4.3 million. That price, tied to its royal history, is part of why it drew so much attention when it went on display in Austria.

The necklace was shown in Paris at the Museum national d'Histoire naturelle in 2020, in a Van Cleef & Arpels exhibition, before it went on display in Vienna.What the Museum Said

The MAK confirmed the theft but declined to release details while the investigation continues. In a statement, the museum said its priority was the safety of its employees and visitors, and that it was grateful no one was harmed. It credited security teams and law enforcement with containing the incident.

The necklace was part of "Glanzstucke," an exhibition pairing roughly 500 items from Van Cleef & Arpels and the museum's own collection. More than 300 pieces came from the jeweler, about 200 from the MAK. It opened June 10 and was scheduled to run through September 27.

The museum first said the exhibition would stay closed until further notice. But the wing where the theft happened reopened hours later. The smashed case was covered with a blue panel, with no notice explaining what had happened.

Manhunt and a Balkan Lead

The Vienna Regional Criminal Investigations Office is leading the inquiry and has launched a national and international search for the two men. Police released photographs and descriptions of both suspects the following day.The Austrian newspaper Kronen Zeitung reported that investigators are looking at possible connections to an organized criminal syndicate based in the Balkans. Police have not confirmed that link.

It is the highest-value art heist in Vienna since Benvenuto Cellini's gold-and-enamel Saliera was stolen from the Kunsthistorisches Museum in 2003. That piece, valued at 50 million euros, was recovered three years later.

Part of a European Crime Wave

The Vienna robbery is the latest in a run of thefts hitting Europe's museums. In October 2025, thieves broke into the Louvre in Paris in broad daylight and got away in less than eight minutes with jewelry worth $102 million. Suspects have been arrested and charged, but none of the jewels have been recovered, except a crown dropped during the escape. The Louvre's director resigned in February 2026.

The same Thursday as the Vienna heist, thieves raided the Villena Treasure in Spain, one of the greatest Bronze Age gold collections, taking most of the 50-plus mostly gold bracelets, bowls and bottles on display. Villena mayor Fulgencio Cerdan said the robbers had taken most of the treasure. "We are absolutely devastated, I'm even trembling," he said.

Older cases follow the same money trail. In 2022, German police recovered some of the treasures from the Green Vault royal collection in Dresden, which had an insurance value of 116 million euros when it was stolen in November 2019. And in March 2017, a 100-kilogram gold coin called the Big Maple Leaf, worth 3.75 million euros, was taken from the Bode Museum in Berlin. Investigators believe it was melted down.

France Tried to Get Ahead of It

France, hit again and again, tried to move first. At the end of July 2026, the French culture ministry recommended temporarily pulling certain items from display cases until better protection could be put in place.

The reason was a brutal summer of losses. On July 1, 2026, an archaeological center in Montans was robbed of about 40 Roman gold coins worth an estimated 120,000 euros. Four days later, robbers armed with sledgehammers broke into the Lalique Museum and escaped with 27 pieces of jewelry valued at roughly 4.5 million euros.

Then, on July 24, a Celtic gold collar dating back about 2,500 years vanished in broad daylight from the Musee du Pays Chatillonnais.

Why Thieves Want Gold and Gems

Europol, the EU's law enforcement agency, warned in late August that criminals are going after objects made of gold and precious stones, which can be melted down or broken up and sold without leaving a trace. Its report is titled "Changing Tactics, Changing Targets: The Evolving Nature of Museum Heists."

Museum theft was long treated as a "non-violent form of organised property crime," the report said, with perpetrators relying on "deception and stealth, using tactics like reconnaissance and discreet execution." That model is fading. Brute force is replacing guile, and today's robbers often come out of other kinds of crime.

The report also suggests how the teams may form. Instead of a permanent ring of professional art thieves, it says a planner may assemble a temporary crew, recruited locally through social media and messaging apps on what Europol calls a "crime-as-a-service" basis.

Two men with a hammer and a paid ticket, walking into a Vienna museum during opening hours and out again on foot, match the pattern Europol laid out almost point for point. Whether the 673-diamond necklace ever turns up again is now a police problem, and so far, the trail leads in an unknown direction.

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