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Anna Lee ·
The company that hunts down copyright violators just handed creators the keys.

Mickey Mouse doing a trending TikTok dance used to be a punchline. As of August 5, 2026, it is the actual business plan.
The Walt Disney Company and TikTok announced a partnership that lets everyday creators make short videos using characters and scenes from Marvel, Pixar, Star Wars, FX, and the rest of the Disney vault. Those clips will not just sit on TikTok either. A hand-picked batch of them will play inside the Disney+ app itself. Both sides called it a "first-of-its-kind" global deal, and for once the phrase is not just corporate noise.
What makes it a real first is small but interesting. This is the first time TikTok videos will appear on another company's platform. TikTok has spent years being the walled garden everyone scrolls inside. Now its content is walking out the front door and landing on a rival streaming service. That is the piece worth paying attention to, even more than the cartoon characters.
A few months back, Disney+ quietly added a short-form video feed called Verts. Think of it as Disney's version of the endless vertical scroll you already burn hours on. Up to now, Disney had to fill that feed with its own stuff. This deal hands a big chunk of that job to TikTok creators who choose to opt in.
Once a creator signs up, their video can live in two places at once: on TikTok, where they built their following, and in the Verts tab on the Disney+ app. The plan is to refresh those videos regularly so the feed stays tied to whatever fans are arguing about that week. New Marvel trailer drops? Expect the reactions and edits to flood in fast, and some of them will end up right next to the movies themselves.
The real currency here is access. TikTok creators are getting the keys to a library of hundreds of Disney films and TV shows. That means official scenes, characters, and moments they can legally chop up, remix, and build videos around instead of hoping a copyright bot does not nuke their post at 2 a.m.
The brands in play cover most of what Disney owns that people actually care about: Marvel, Pixar, Star Wars, FX, and more. For anyone who has watched a fan account get their account struck down for posting ten seconds of a movie, this flips the whole setup. Disney is basically saying go ahead, use our stuff, just do it through this program. That is a strange sentence to read from a company famous for hunting down anyone who put Mickey on a birthday cake without permission.
The centerpiece for creators is something called the Disney Creator Ambassador Program, run jointly by both companies. It is a tiered setup, meaning the more you deliver, the more you get. Top creators can unlock special rewards, a bigger profile inside the ecosystem, invites to exclusive events, and what the companies describe as career development pathways.
Translation: Disney is trying to recruit the next generation of talent early, before someone else does. Both companies keep repeating a line about how great storytellers can come from anywhere. That is a nice sentiment, and it is also a smart way to build loyalty with people who currently work for free out of pure fandom. Whether the rewards turn into real paychecks or just fancy lanyards at a Disney event is the question every creator should ask before jumping in.
None of this happens if young people were still glued to the TV the way their parents were. They are not. They are on their phones, watching vertical clips, and Disney knows it. The deal is one of the first big moves from Josh D'Amaro, who took over as Disney CEO in March with a mandate to future-proof the company.
D'Amaro has been blunt about the target. Short form and creative content exploded in the past few years, he told investors in May, and Disney cares about it because fans want to engage with the brands in that new way. Then he named names: this matters most for Gen Alpha, the newest crop of Disney fans. Those are the kids who will decide in ten years whether Disney is still cool or the thing their grandparents liked. Getting into their scroll now is the whole point.
Disney dropped this announcement the same morning it released its fiscal third-quarter earnings, and the numbers were strong. Revenue hit $25.2 billion, up 7% from a year earlier. Operating income jumped 21% to $5.6 billion. Adjusted earnings per share rose to $2.06 from $1.61, beating what Wall Street expected.
The wins came from a few directions. Toy Story 5 pulled in strong studio revenue, theme park attendance rose 4% worldwide, and streaming profit more than doubled for the quarter. Disney even booked a $100 million tariff refund and agreed to sell its 50% stake in A+E Global Media to Hearst for about $1.2 billion in cash. Pairing the TikTok news with a good earnings day sends investors a clear signal: the company is not just making money today, it is trying to lock down the audience of tomorrow.
There is a backstory that makes this partnership possible at all. Back in January 2026, ByteDance sold a majority stake in TikTok's U.S. business to a group of non-Chinese investors, including Oracle, Silver Lake, and Abu Dhabi's state-owned firm MGX. ByteDance kept 19.9% of the joint venture.
That sale brought TikTok into compliance with the divest-or-ban law that went into effect in January 2025. In plain terms, TikTok had to change who owned it or get pushed out of the country. It changed hands, and the American version of the app now sits mostly under U.S.-friendly ownership. A giant like Disney is a lot more comfortable tying its brand to TikTok once the legal cloud has cleared. Two years ago, this same deal would have looked reckless.
The TikTok tie-up fits into a larger idea D'Amaro laid out in his shareholder letter. His stated ambition is for Disney+ to become the digital centerpiece of the whole company, less of a movie library and more of a membership club packed with always-on perks. He said the company expects to start rolling out pieces of that vision in spring 2027.
There is context that makes this move feel less like a one-off. Late last year, Disney committed a $1 billion investment in OpenAI as part of a three-year deal to let people create short videos with Disney characters on the Sora platform. Now it is adding real human creators through TikTok. Disney+ has around 130 million subscribers globally and captured roughly 5% of U.S. watch time in May, which put it third among streaming services. Filling the app with fresh, fan-made clips every day is one way to get people opening it more often instead of canceling when they finish a show.
The pilot launches in the United States in the coming months, then expands to other countries. Financial terms were not disclosed, so we do not know who pockets what. But the shape of the thing is clear. If you make TikToks about Star Wars or Marvel, you may soon be able to use official footage without a takedown notice, and your work could end up in front of a streaming audience you never had access to.
If you are just a person who pays for Disney+, expect the app to start feeling a lot more like the social feeds you already scroll. Whether that is a feature or an annoyance depends on how much you wanted a place to escape the doomscroll. To put the scale in perspective, TikTok says fans shared an average of 6.5 million film and TV-related posts a day in 2025. Disney just found a way to grab a slice of that energy and pipe it straight into its own app. The mouse is on the algorithm now.
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